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Why does the parting of the Red Sea sequence in 'The Ten Commandments' (1956) appear so unconvincing to the modern eye when compared to computer-aided effects despite the scene being shot entirely
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Why does the parting of the Red Sea sequence in 'The Ten Commandments' (1956) appear so unconvincing to the modern eye when compared to computer-aided effects despite the scene being shot entirely
Why does the parting of the Red Sea sequence in 'The Ten Commandments' (1956) appear so unconvincing to the modern eye when compared to computer-aided effects despite the scene being shot entirely
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