Hearing Subjects (Part I) - Music, Subjectivity, and Schumann
MTO 10.4: Schmalfeldt, “Coming Home”
Schumann's Song Cycles: The Cycle within the Song
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
Voicing Beethoven's Distant Beloved
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
Schumann's Opus 39 Liederkreis - The Story of An Engagement | PDF | Robert Schumann | Napoleon
The inner musical workings of Robert Schumann, 1828-1840 : in two volumes
Schumann's Piano Cycles and the Novels of Jean Paul
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
Carl Loewe's "Gregor auf dem Stein": A Precursor to Late German Romanticism
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
Hearing Absence (Part III) - Music, Subjectivity, and Schumann
MTO 10.4: Schmalfeldt, “Coming Home”
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
The Journey of the Song Cycle from “The Iliad” to “American Idiot” By: Katrina Gingerich | Musical Offerings
